Vampiric Women Vampires have been an influential figure in English literature since Lord Byron made the mythical demon famous in his poem The Giaour in which the hero is cursed to feast on the blood of his family.
Gothic Romance has been used historically as a way for women to explore and enjoy transgressive behaviour vicariously, through the exploits of the women explored in these novels Perez Cuervo, Online.
However, women appear to have been predominantly used in Gothic literature in order to display the attributes expected of a woman by directly contrasting the virtuous heroine with the mentally unstable former paramour of the male love interest.
The blog will focus on the role of women in the Gothic tradition by exploring the use of alter egos and foils in both Jane Eyre and Crimson Peak. It will investigate how leading feminine characters are represented in relation to each other while discussing the connections between the two sources in order to explain decisions made by Guillermo del Toro for his work on Crimson Peak.
This self-awareness when writing and producing adaptations that fall into the Gothic genre displayed by del Toro makes it clear to his targeted audience that the women are the key protagonists in his film. Even his casting choices are planned, as shown by his decision to cast Mia Wasikowska in the leading role of Edith Cushing.
The Evil in the Shadows The dark adversary to the female heroine tends to undertake their evil deeds in the shadows, just out of eyesight and earshot of the leading character. In Jane Eyre, Bertha Mason is given almost animalistic qualities when she attempts to murder her estranged spouse.
The fact that the identity of the perpetrator is left ambiguous titillates the reader, causing excitement and apprehension regarding whom could be responsible for these misfortunes, as well as allowing Bronte to foreshadow the climax of the novel. The fact that Jane is the variable between the fire earlier in the novel and the fire that finally destroys Thornfield suggests to the reader that only Jane can eradicate the devastation that Bertha has caused.
It could be argued that Bronte is using fire as a form of purification; perhaps Bertha and Thornfield need to be destroyed before Jane and Mr Rochester can finally be together.
The use of obscured identities to hide the wrongdoings of the female antagonist is also utilised in Crimson Peak. It is interesting that the antagonist in both Jane Eyre and Crimson Peak is female, as it makes the audience question their own deep-held gender stereotypes.
It is interesting that del Toro chooses to explore the theme of incest in Crimson Peak, as this is a taboo subject even for Gothic. Jessica Chastain as Lucille Sharpe, just as she is about to meet her demise.
Costume Choices in Adaptations The use of costume to physically represent the nature of the leading women is important in Gothic adaptations and films.
The costume choices in Crimson Peak are calculated as they draw parallels to previous adaptations of Gothic and Horror texts. The fact that he uses animalistic imagery to describe Bertha conveys her rapid transgression from her role as a wife to a woman whom is no longer deemed human.
By evaluating the two women together, Mr Rochester is attempting to gain sympathy from the wedding guests, who represent society, regarding his attempt to commit bigamy.
The reader automatically begins to compare the two women and their character, and thus the use of foils by Bronte is successful. An alternative viewpoint suggested is the importance of British Imperialism and racial otherness in how Bertha Mason is portrayed. A still from Crimson Peak, where Lucille discusses the death of butterflies with Edith.
Women, Love and Power In both Jane Eyre and Crimson Peak women are portrayed as fundamental to the plot and as powerful beings once they have become financially independent.
However, both Bertha and Lucille have allowed their dominance to surpass that of their significant others, which has allowed them to become consumed with hatred and evil, thus rendering them insane.
Contrary to this, both Edith and Jane nurture their internal strength over time to ensure that this does not completely devour them, thus making them transgress from being feminine by nature.
Indeed, too much female power is often perceived to remove any form of femininity from a character. Jane, like Edith, does show some degree of authority occasionally, often through outbursts. Lucille as her true form becomes clear. To conclude, female foils are portrayed in both Jane Eyre and Crimson Peak in order to explore the positive characteristics of womanhood.
It is clear that the antagonist is designed to highlight the goodness held in the female heroine, in addition to providing adversity for the female lead to overcome.
The women in both examples emphasise their importance, although the variation in how they control their power differentiates them as either the protagonist or antagonist of the story. Edinburgh University Press, Palmer, Beth, Victorian Literature, London: Perez Cuervo, Maria Christabel and Geraldine end up naked in the same bed.
The tone becomes deeply erotic, though it's not explicit precisely what happens there. It's this scene which is quoted so often, as an early example of lesbian overtures in vampire fiction.
Gothic fiction combines the elements of Horror and Romance. This genre consists of fear, darkness, heroes, villains, and love. If you ask me those are very contrasting subjects. The name Gothic Fiction and Geraldine Essay. Gothic Fiction and Geraldine Essay as Samuel Taylor Coleridge, began entertaining other forms. Samuel Taylor Coleridge took to the innovative gothic genre with his poem “Christabel”. The poem “Christabel” is a two part poem containing numerous gothic elements, paired with various literary devices to convey a vampire-esque theme. Gothic fiction, sometimes referred to as Gothic horror, is a genre or mode of literature that combines elements of both horror and romance. Gothicism's origin is attributed to English authorHorace Walpole, with his novel The Castle of Otranto, subtitled "A Gothic Story".
Gothic fiction, sometimes referred to as Gothic horror, is a genre or mode of literature that combines elements of both horror and romance. Gothicism's origin is attributed to English authorHorace Walpole, with his novel The Castle of Otranto, subtitled "A Gothic Story".
A number of critics read it in the tradition of the female gothic, which explores houses as fundamentally dangerous and destructive places for female heroines; houses, in gothic fiction by .
During this period, especially in the years between and , the most popular type of fiction read in England was the Gothic novel. Horace Walpole ’s Castle of . Gothic fiction (Literary genre) Here are entered works on the genre of fiction that combines elements of both horror and romance, featuring psychological and physical terror, the supernatural, castles or monasteries, ghosts, darkness, gloom and doom, etc., usually in a medieval setting.
WritePass - Essay Writing - Dissertation Topics [TOC]Introduction ConclusionRelated Introduction Gothic Literature, originating in the late 18th century, coalesce the rhythmical language and vivid imagery of Romance novels with the dark and terrific supernatural beings, gloomy settings and fiends of classic Horror.
Much like horror novels Gothic literature was created to evoke feelings of.